

Pretty sure even pirated copies can make a Larian account and add friends thru that.


Pretty sure even pirated copies can make a Larian account and add friends thru that.


I just use mergerfs and SnapRAID so I can scale dynamically when I can afford new drives. Granted it’s all fully replaceable media files on my end, so I’m not obsessed with data integrity.


The post is more about how there’s an absurd number of clueless people in forums trying to figure out how to set things up and it’s just a chaotic clusterfuck of mostly non-technical people talking past each other.
There are no “best settings” so much as “best settings for your machine on this game”. So likewise with the emulators. There’s no single best one.
Sure, I don’t doubt they’ll continue with at least one more minor patch in the coming weeks. Typically it’s not till something like .3 or .4 till the minor version patches cool down
It’s better to do it now, now that a bunch of the migration edge cases were ironed out by 10.11.1


More like 40


I highly doubt it’ll go smoothly. IMO what will happen is driving standards will rise, driving tests will become extremely tough and need to be repeated every few years, and self driving tech will get cheaper and most people will just summon cars like Waymo rather than bothering to remain liscensed. There will have to be an offramp, not a firm cutoff.


It helps if your server can decode AV1, but you never need it to encode to AV1. Basically the main usecase for transcoding AV1 would be burning in ASS formatted subtitles, commonly used for anime. If you keep your anime in other codecs then you shouldn’t need to transcode AV1 ever unless you add more clients into the mix that can’t handle AV1 natively.
For what it’s worth, I use an Intel N100 with quicksync, and that can decode AV1 because it’s 12th gen. Works great for me.
About 20 years ago, I wanted to add recording studio capabilities to my gaming PC but I was a broke high schooler, so I installed Ubuntu Studio as a dual boot option alongside Windows XP.
Anyway, I installed Arch on my laptop about 3 years later in college using the Arch Book, which was essentially the same as the wiki’s install guide at the time.
I had a dual boot system with Windows and Mac (it was a hackintosh) as my home recording studio Pro Tools/gaming PC for about a decade, then my Windows install had to be wiped due to an issue I had, so I decided to just wipe the whole thing and go single boot with Linux Mint, so now I use Reaper for recording and Steam + Heroic + emulators are meeting all my gaming needs. I use the Xanmod kernel and the kisak-mesa PPA, and since making the switch I’ve upgraded essentially all of the parts in my PC, which is good because I first built it in 2013


Yeah, exactly. I was trained on Pro Tools and Ardour worked OK and made sense to me, but Reaper feels more intuitive to use than either Pro Tools or Ardour.


Audio Engineer here.
You want Reaper. It’s a $60 program but you can keep it in trial mode for as long as you want till you’ve got the money. Reaper has lots of tutorials available on YouTube and can use industry-standard VST plugins, plus it has enough plugins bundled in to get you started.


Yes, hardware transcoding = using hardware acceleration for decoding/re-encoding the video files. CPUs do it pretty slowly (or they use a ton of electricity if they’re fast enough to do it quickly) but the special decoder/encoder chips on GPUs (including integrated graphics GPUs) can handle that sort of task no sweat in most cases as long as you’ve got it preperly configured.


Same, yeah. On top of that, my company even turned on Cursor BugBot to review our PRs and it calls out nonsense non-problems all the time due to lacking context


I hate when people do that. The robot is wrong! All the freaking time.


He said Christians won’t have to worry about voting again.
Still fucking ominous, but for slightly different reasons.


Back To The Future was the first one I played as it came out. Love the Walking Dead series. Need more adaptations of the comics rather than the show.


Sure, that’s true, though if you allow streams on Bandcamp, those pay $0, so in terms of “try before you buy”, any streaming service is better. It’s only if you actually sell an album on band camp (or AmpWall, a smaller indie service that does a lot of the same stuff) that you’d get paid, as an artist.
I say this as a musician who has put out several albums both independently and with a label.


Tidal pays more than 3x what Spotify pays. Qobuz pays like 5-6x.
I suspect you could get the price on something like this down to maybe $100-$150. Basically a small low-power Intel box with an SSD and at least 8G of RAM could handle all of these services.
The hard part would be pre-configuring each of them and building/adapting software to make this kind of stuff easy for end users.