Why This Award-Winning Piece of AI Art Can’t Be Copyrighted::Matthew Allen’s AI art won first prize at the Colorado State Fair. But the US government has ruled it can’t be copyrighted because it’s too much “machine” and not enough “human.”

  • Zarxrax@lemmy.world
    link
    fedilink
    English
    arrow-up
    14
    arrow-down
    1
    ·
    1 year ago

    But according to the article, it wasn’t generated in minutes. The artist went through over 600 iterations of tweaking the prompt to get what he wanted. Sounds like days or even weeks of work probably. And then made additional tweaks via Photoshop.

    Not too say that makes it any more impressive, but it wasn’t something that was without effort.

    • El Barto@lemmy.world
      link
      fedilink
      English
      arrow-up
      3
      arrow-down
      1
      ·
      edit-2
      1 year ago

      Point taken. In that case, I guess one can recognize the effort. Still, the impressive part of the piece is the style, which, if one were to assume was made with actual oil paint, it would be impressive.

      With AI, I would explore styles that are inherently difficult to produce digitally. And yes, “oil paint” would be difficult to produce with digital tools alone outside of AI (maybe there are good plug-ins for it?) But you know what I mean. I don’t even know which styles those would be.

      • ParsnipWitch@feddit.de
        link
        fedilink
        English
        arrow-up
        2
        ·
        edit-2
        1 year ago

        You can make digital illustrations with a graphic tablet and the right digital brushes that look remarkably similar to oil paint. Because with a graphic tablet and pen you can utilise tilting, pressure, speed, etc. The colours will often simulate how actual oil paints work (well, at least they try). It’s kinda like a very easy casual mode of actual oil painting.

      • Zarxrax@lemmy.world
        link
        fedilink
        English
        arrow-up
        1
        arrow-down
        1
        ·
        1 year ago

        When I commission an artist, I’m probably not looking over their shoulder the entire time telling them exactly what to do. But that does bring up an interesting point. Assume I have no use of my limbs and an artist agrees to help me make a painting. I tell them exactly what to do, which colors to use, where to make paint strokes, etc. I am guiding the image, but they are actually painting it, and their own skill and technique and style will obviously play into the final image. I don’t know who would have more of a claim to the image in that case.