zalack

NVIDIA’s marketing overhypes, but their technical papers tend to be very solid. Obviously it always pays to remain skeptical but they have a good track record in this case.

It’s a remake that uses new, higher quality assets though, so isn’t an option in this case.

It’s because the producers want their counterparts spending time, energy, and perceived social capital negotiating over it rather than the things the Producers actually worry about having to give up.

IMO it’s pretty transparent, but creative people are pretty scared of AI right now so it might be a good bargaining tactic if they can get rank and file Union members to tie up the negotiatiors by reacting.

Crowd extensions are already pretty common with traditional VFX techniques.

I worked in Hollywood editorial for a bit and, IMO, the producers are playing up the AI stuff so that said stuff can be given to the writers and actors as a “victory” instead of the real spectres in the room:

• streaming residuals need to get the same payout and transparency as home video and syndication did

• streaming numbers need to be made available to creators to facilitate the above.

• the ‘mini-room’ system that totally disconnects writers from the productions they are writing for needs to be broken down.

I think it would be interesting to explore an API affordance for attaching licenses to fediverse content, with the admins being able to set a default license for their server.

So if Meta wants to get content from the fediverse, it has to check the headers of each post and make sure it’s licensed for commercial use.

I didn’t even consider the fact that the fediverse offers us the ability to start having publicly owned social media and government-run instances for direct communication.

That could be very interesting…